Metal Soaps in Art: Conservation and Research
暫譯: 藝術中的金屬皂：保存與研究
Casadio, Francesca, Keune, Katrien, Noble, Petria
相關主題
商品描述
This go-to reference work surveys the current state of knowledge in the field of metal soap-related degradation phenomena in art works. It contains detailed descriptions and images of the different phenomena and addresses the practical aspects of soap formation, preventive conservation, and treatment.
The occurrence of metal soaps is one of the defining issues in the conservation of painted surfaces, and one that presently leaves innumerable open questions. It is estimated that around 70% of paintings in museum collections are affected by some form of metal soap-related degradation. In recent years, significant advances have been made in the detection and characterization of these compounds through interdisciplinary approaches including conventional spectroscopy and microscopy as well as emerging synchrotron-based techniques.
This book for the first time captures a panoramic overview of the state of knowledge of metal soaps related to both scientific analysis and implications for conservation and treatment. It also critically examines open questions. The book is accessible to audiences with varied backgrounds (e.g. conservators, students of conservation science) while simultaneously presenting the technical details indispensable for academics and researchers active in this field.
商品描述(中文翻譯)
這本參考書全面調查了藝術作品中金屬肥皂相關劣化現象的當前知識狀態。它包含了不同現象的詳細描述和圖片，並探討了肥皂形成的實際方面、預防性保護和處理方法。
金屬肥皂的出現是保護繪畫表面的一個關鍵問題，目前仍然存在無數未解的問題。估計約有70%的博物館藏品中的繪畫受到某種形式的金屬肥皂相關劣化的影響。近年來，通過包括傳統光譜學和顯微鏡學在內的跨學科方法以及新興的同步輻射技術，在這些化合物的檢測和特徵分析方面取得了顯著進展。
這本書首次全面概述了與金屬肥皂相關的科學分析及其對保護和處理的影響的知識狀態。它還批判性地檢視了未解的問題。這本書對於背景各異的讀者（例如，保護修復師、保護科學的學生）都很容易理解，同時也提供了對於活躍於該領域的學術界和研究人員不可或缺的技術細節。
作者簡介
Francesca Casadio joined the Art Institute of Chicago in July 2003 as the Museum's first A. W. Mellon Senior Conservation Scientist. Since January 2018 she is the Grainger Executive Director of Conservation and Science. With a PhD in Chemistry from the University of Milan, Italy, Casadio is also the founder and co-Director of the Northwestern University / Art Institute of Chicago Center for Scientific Studies in the Arts (NU-ACCESS). Her research interests are interdisciplinary studies mainly focused on artistic materials and practices of the 19th and 20th century.
Katrien Keune is research scientist at the Rijksmuseum Amsterdam, Netherlands. She is responsible for the scientific research in the conservation studios. She also holds an appointment as Associate Professor of Chemistry at the University of Amsterdam (UvA) and contributes to the Netherlands Institute for Conservation, Art and Science (NICAS) at a scientific and organizational level. She received a PhD in chemistry from FOM Institute AMOLF, UvA. Her expertise lies in the ageing, deterioration and migration processes in oil paintings, especially related to pigment-binding medium interactions.
Petria Noble is senior paintings conservator and Head of Paintings Conservation at the Rijksmuseum in Amsterdam, a position she has held since 2014. Prior to this she worked for 18 years at the Mauritshuis in The Hague. As an expert in the material aspects and conservation of 17th-century Dutch paintings she has published widely in conservation and scientific journals. She is strong advocate for scientific investigations of paintings as a key to understanding changes in appearance. Her current research activities include the development and application of non-invasive imaging techniques for the study of late Rembrandt paintings.
Annelies van Loon trained as a chemist and a paintings conservator, before specializing in the materials analysis and ageing processes of Old Master Paintings. She received a PhD in chemistry from FOM Institute AMOLF/ University of Amsterdam on the topic of 'Color changes and chemical reactivity in seventeenth-century oil paintings.' From 2012 till 2016 she was project leader of the Science4Arts PAinT Project focusing on aspects of metal soaps and pigment-binder interactions. Currently she holds a position as paintings research scientist at the Rijksmuseum Amsterdam
Ella Hendriks is full Professor of Conservation and Restoration of Moveable Cultural Heritage at the University of Amsterdam. She holds a bachelor degree in art history (University of Manchester, UK), a post-graduate diploma in the conservation of easel paintings (Hamilton Kerr institute, University of Cambridge, UK) and a PhD in technical art history/conservation (University of Amsterdam). From 1987 to1999 she was Head of Conservation at the Frans Hals Museum in Haarlem, and from 1999-2016 Senior Paintings Conservator at the Van Gogh Museum in Amsterdam.
Silvia A. Centeno is a Research Scientist at the Metropolitan Museum of Art where her main responsibilities include the investigation of artists' materials and techniques and deterioration processes in paintings, photographs, and works of art on paper. She has published and lectured in a number of topics including soap deterioration in oil paintings, pigment- and platinum-based photographic processes, daguerreotypes, early lithographic inks, and nineteenth century and Renaissance paintings. She received a PhD in Chemistry from Universidad Nacional de La Plata, Argentina
Gillian Osmond is a paintings conservator at the Queensland Art Gallery/Gallery of Modern Art in Australia with 3 decades of industry experience. She has a longstanding interest in the technical examination of paintings and paint cross sections and has been studying incidences of zinc soaps in paintings for more than 15 years. In 2014 Gillian was awarded a PhD from the University of Queensland for her research on zinc oxide centred deterioration in artists' oil paints and consequences for paintings.
作者簡介(中文翻譯)
Francesca Casadio於2003年7月加入芝加哥藝術學院，擔任該博物館首位A. W. Mellon高級保護科學家。自2018年1月起，她擔任保護與科學的Grainger執行董事。Casadio擁有意大利米蘭大學的化學博士學位，也是西北大學/芝加哥藝術學院藝術科學研究中心（NU-ACCESS）的創始人和共同主任。她的研究興趣為跨學科研究，主要集中於19世紀和20世紀的藝術材料和實踐。
Katrien Keune是荷蘭阿姆斯特丹國立博物館的研究科學家，負責保護工作室的科學研究。她同時擔任阿姆斯特丹大學（UvA）化學副教授，並在科學和組織層面上為荷蘭保護、藝術與科學研究所（NICAS）做出貢獻。她在FOM Institute AMOLF, UvA獲得化學博士學位。她的專業領域包括油畫的老化、劣化和顏料結合媒介的相互作用。
Petria Noble是阿姆斯特丹國立博物館的高級油畫修復師及油畫修復部門負責人，自2014年以來一直擔任此職位。在此之前，她在海牙的Mauritshuis工作了18年。作為17世紀荷蘭畫作材料方面的專家，她在保護和科學期刊上發表了大量文章。她強烈主張對畫作進行科學調查，以理解外觀變化。她目前的研究活動包括開發和應用非侵入性成像技術來研究晚期倫勃朗的畫作。
Annelies van Loon接受過化學和油畫修復的訓練，然後專注於舊大師畫作的材料分析和老化過程。她在FOM Institute AMOLF/阿姆斯特丹大學獲得化學博士學位，研究主題為「17世紀油畫中的顏色變化和化學反應性」。從2012年到2016年，她是Science4Arts PAinT項目的項目負責人，專注於金屬肥皂和顏料-結合媒介相互作用的各個方面。目前，她在阿姆斯特丹國立博物館擔任油畫研究科學家。
Ella Hendriks是阿姆斯特丹大學可移動文化遺產保護與修復的全職教授。她擁有藝術史學士學位（英國曼徹斯特大學）、油畫保護的研究生文憑（英國劍橋大學Hamilton Kerr研究所）以及技術藝術史/保護的博士學位（阿姆斯特丹大學）。從1987年到1999年，她是哈勒姆的Frans Hals博物館的保護部門負責人，1999年至2016年擔任阿姆斯特丹梵谷博物館的高級油畫修復師。
Silvia A. Centeno是大都會藝術博物館的研究科學家，主要負責調查藝術家的材料和技術以及畫作、照片和紙上藝術品的劣化過程。她在多個主題上發表過文章和演講，包括油畫中的肥皂劣化、顏料和鉑基攝影過程、銀版畫、早期石版墨水以及19世紀和文藝復興時期的畫作。她在阿根廷拉普拉塔國立大學獲得化學博士學位。
Gillian Osmond是澳大利亞昆士蘭藝術畫廊/現代藝術畫廊的油畫修復師，擁有三十年的行業經驗。她對油畫和顏料切片的技術檢查有著長期的興趣，並研究油畫中鋅肥皂的發生已有超過15年。2014年，Gillian因其在藝術家油畫中以鋅氧化物為中心的劣化及其對畫作的影響的研究，獲得昆士蘭大學的博士學位。
