Sociology of Music: History, Theory, Methodology and Practice

Stefanija, Leon

  • 出版商: Springer
  • 出版日期: 2024-09-27
  • 售價: $3,270
  • 貴賓價: 9.5$3,107
  • 語言: 英文
  • 頁數: 291
  • 裝訂: Quality Paper - also called trade paper
  • ISBN: 303161755X
  • ISBN-13: 9783031617553
  • 海外代購書籍(需單獨結帳)

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商品描述

The textbook provides students with insight into and overview of the basics of social research on music. It addresses the Who, What, When, Where, Why, How of music research through four perspectives from the sociological study of music: a historical survey of the social study of music (when), theoretical points of view (what), and methodological (how), and pragmatic aspects (who, why & how). The other Ws (where and why) are included within the four main perspectives. The four perspectives - history, theory, methodology, and practice - are complementary. Some of the names included in the theory and practice of music are also listed as a part of the history of music sociology, and vice versa. In this way, the book encompasses what Howard S. Becker has conceptualized as an art world, Kurt Blaukopf as musical practice, and Christopher Small as musicking. Covering all the relevant detailsyet concise in structure, this book is ideal for students of the sociology of music, musical education, musicology and of arts and aethestics.

商品描述(中文翻譯)

這本教科書為學生提供了音樂社會研究基礎的洞見和概述。它通過音樂社會學的四個視角探討音樂研究的誰、什麼、何時、何地、為什麼和如何:社會音樂研究的歷史調查(何時)、理論觀點(什麼)、方法論(如何)以及實踐方面(誰、為什麼和如何)。其他的W(哪裡為什麼)則包含在這四個主要視角之中。這四個視角——歷史、理論、方法論和實踐——是互補的。在音樂的理論和實踐中提到的一些名字也被列為音樂社會學歷史的一部分,反之亦然。這樣一來,這本書涵蓋了霍華德·S·貝克所概念化的藝術世界、庫爾特·布勞科夫所稱的音樂實踐以及克里斯托弗·斯莫爾所定義的音樂行為。這本書涵蓋了所有相關細節,結構簡潔,非常適合音樂社會學、音樂教育、音樂學以及藝術與美學的學生。

作者簡介

Leon Stefanija (1970, Ljubljana) is Professor of Musicology at the Faculty of Arts in Ljubljana. He holds the Chair of Systematic Musicology, and between 2008 and 2012 also the Chair of Musicology. His main research interests and teaching areas are the epistemology of music research, the sociology of music and the history of contemporary, especially Slovenian music since 1918. He regularly collaborates with the Academy of Music in Zagreb, the Faculty of Music in Belgrade, the Karl Franzens University in Graz, the Academy of Music in Sarajevo and the Ballet School in Ljubljana. He was awarded the Presern Prize of the Faculty of Philosophy in Ljubljana (1995), recognition for teaching and/or research work in 2012 and Excellent in Science in 2018 for the book Sisyphusartig schön: Porträt des Komponisten (Vienna: Hollitzer Verlag, 2018).

作者簡介(中文翻譯)

Leon Stefanija(1970年,盧布爾雅那)是盧布爾雅那藝術學院的音樂學教授。他擔任系統音樂學的講座,並在2008年至2012年間也擔任音樂學的講座。他的主要研究興趣和教學領域包括音樂研究的認識論、音樂社會學以及自1918年以來的當代音樂歷史,特別是斯洛文尼亞音樂。他定期與薩格勒布音樂學院、貝爾格萊德音樂學院、格拉茨卡爾·弗朗茲大學、薩拉熱窩音樂學院以及盧布爾雅那芭蕾舞學校合作。他曾獲得盧布爾雅那哲學院的普雷舍恩獎(1995年)、2012年的教學和/或研究工作認可,以及2018年因著作《Sisyphusartig schön: Porträt des Komponisten》(維也納:Hollitzer Verlag,2018年)獲得卓越科學獎。