The Beatles and the Beatlesque: A Crossdisciplinary Analysis of Sound Production and Stylistic Impact
暫譯: 披頭士與披頭士風格：聲音製作與風格影響的跨學科分析

Martinelli, Dario, Bucciarelli, Paolo

The Beatles and the Beatlesque: A Crossdisciplinary Analysis of Sound Production and Stylistic Impact
  • 出版商: Springer
  • 出版日期: 2024-08-02
  • 售價: $4,760
  • 貴賓價: 9.5 折 $4,522
  • 語言: 英文
  • 頁數: 214
  • 裝訂: Quality Paper - also called trade paper
  • ISBN: 3031338065
  • ISBN-13: 9783031338069

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商品描述

The Beatles and the Beatlesque address a paradox emanating from The Beatles' music through a cross-disciplinary hybrid of reflections, drawing from both, musical practice itself and academic research. Indeed, despite their extreme stylistic variety, The Beatles' songs seem to always bear a distinctive identity that emerges even more in similar works by other artists, whether they are merely inspired, derivative or explicitly paying homage. The authors, a musicologist and music producer, emphasize the importance of record production in The Beatles' music in a way that does justice not only to the final artifacts (the released songs) but also to the creative process itself (i.e., the songs "in the making").

Through an investigation into the work of George Martin and his team, as well as The Beatles themselves, this text sheds light on the role of the studio in shaping the group's eclectic but unique sound. The chapters address what makes a song "Beatlesque", towhat extent production choices are responsible for developing a style, production being understood not as a mere set of technicalities, but also in a more conceptual way, as well as the aesthetics, semiotics and philosophy that animated studio activity. The outcome is a book that will appeal to both students and researchers, as well as, of course, musicophiles of all kinds.

商品描述(中文翻譯)

披頭士樂團（The Beatles）及其音樂風格（Beatlesque）探討了一個源自披頭士音樂的悖論，透過跨學科的反思混合，汲取音樂實踐本身與學術研究的精華。事實上，儘管他們的風格極為多樣，披頭士的歌曲似乎總是帶有一種獨特的身份，這種身份在其他藝術家的類似作品中更為顯著，無論這些作品是受到啟發、衍生還是明確致敬。作者是一位音樂學家和音樂製作人，他們強調了唱片製作在披頭士音樂中的重要性，這不僅體現在最終的作品（已發行的歌曲）上，也體現在創作過程本身（即正在創作中的歌曲）上。

透過對喬治·馬丁（George Martin）及其團隊，以及披頭士樂團本身的工作進行調查，這本書揭示了錄音室在塑造該團體多元卻獨特的聲音中的角色。各章節探討了什麼使一首歌曲具有「披頭士風格」（Beatlesque），製作選擇在多大程度上負責於風格的發展，製作不僅被理解為一組技術細節，也以更概念化的方式來看待，以及驅動錄音室活動的美學、符號學和哲學。最終的結果是一本將吸引學生和研究者，當然也包括各類音樂愛好者的書籍。

作者簡介

Prof. Dr. Dario Martinelli (1974), musicologist and semiotician, is Full Professor of History and Theory of Arts at Kaunas University of Technology. He is also affiliated with the University of Helsinki, as Adjunct Professor in Semiotics and Musicology, and with the University of Lapland, as Adjunct Professor in Methodologies of Semiotics and Communication Studies. He is also Editor-in-chief of the series "Numanities - Arts and Humanities in Progress", published by Springer. Martinelli has been recipient of several prizes, including, in 2006, a knighthood from the Italian Republic for his contribution to Italian culture.

Paolo Bucciarelli (1974) is a music producer, songwriter and keyboard player. As a musician, he started his career in the second half of the 90's, in the Italian pop/rock band Giuliodorme, signed to BMG in 1996. After the band's break-up, Bucciarelli graduated in Record Production at the London College of Music, and began his activity as producer in England, Italy and Finland. In 2003, he composed the soundtrack for Alessandro Nico Savino's "5 e Mezza in Punto". Since 2004, Bucciarelli has also been active as a musicologist, giving lectures and seminars at the University of Helsinki, the Finnish Institute of Technology and the Evtek University of Applied Sciences in Helsinki.

作者簡介(中文翻譯)

達里奧·馬丁內利教授（1974年），音樂學家及符號學家，現任考那斯科技大學藝術史與理論的全職教授。他同時也擔任赫爾辛基大學的兼任教授，專注於符號學和音樂學，以及拉普蘭大學的兼任教授，專注於符號學和傳播研究的方法論。他還是施普林格出版社系列書籍《人文科學 - 藝術與人文科學的進展》的主編。馬丁內利曾獲得多項獎項，包括在2006年因對意大利文化的貢獻而獲得意大利共和國的騎士勳章。

保羅·布基亞雷利（1974年）是一位音樂製作人、詞曲創作人和鍵盤手。作為音樂家，他在90年代後半期開始了他的職業生涯，加入了意大利流行/搖滾樂隊Giuliodorme，並於1996年與BMG簽約。樂隊解散後，布基亞雷利在倫敦音樂學院獲得錄音製作學位，並開始在英國、意大利和芬蘭從事製作工作。2003年，他為亞歷山德羅·尼科·薩維諾的電影《5 e Mezza in Punto》創作了原聲帶。自2004年以來，布基亞雷利也活躍於音樂學領域，在赫爾辛基大學、芬蘭科技學院和赫爾辛基應用科技大學舉辦講座和研討會。

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