Václav Trojan: Music Composition in Czech Animated Films
暫譯: 瓦茨拉夫·特羅揚：捷克動畫電影中的音樂創作
Bellano, Marco
- 出版商: CRC
- 出版日期: 2019-08-27
- 售價: $2,900
- 貴賓價: 9.5 折 $2,755
- 語言: 英文
- 頁數: 180
- 裝訂: Hardcover - also called cloth, retail trade, or trade
- ISBN: 0815358520
- ISBN-13: 9780815358527
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商品描述
This book explores the Czech composer V clav Trojan (1907-1983) and his compositions for Jiri Trnka's films, a very influential puppet stop-motion animator. Trnka is regarded as one of the finest outcomes of Czech art in the aftermath of the Second World War and inspiration for contemporary directors like Tim Burton and companies such as Aardman or Laika. Trojan's music for animation sets a great artistic model in European animation, at least as meaningful as Carl Stalling's music for Warner Bros. cartoons in the USA. Trojan was an eclectic artist, which encompassed folk songs, jazz and blues influences, neoclassical symphonic and chamber works, opera and more.
Key Features:
- A historical overview of the origins and early development of Czech animation
- Biographical sketches and stylistic outline of both Trnka and Trojan
- An audiovisual analysis of all the available Trnka films Trojan wrote music for
- Filmography and bibliography
商品描述(中文翻譯)
這本書探討了捷克作曲家瓦茨拉夫·特羅揚（Václav Trojan，1907-1983）及其為捷克影人吉里·特倫卡（Jiri Trnka）電影創作的音樂，特倫卡是一位非常有影響力的木偶定格動畫師。特倫卡被認為是第二次世界大戰後捷克藝術的最佳成果之一，並且對當代導演如蒂姆·波頓（Tim Burton）以及公司如阿德曼（Aardman）或萊卡（Laika）等有著啟發性影響。特羅揚為動畫創作
作者簡介
Marco Bellano, PhD, is adjunct professor in History of Animation and post-doctoral researcher at the Department of Cultural Heritage of the University of Padua, Italy. He previously taught History of Italian Cinema at the Boston University Study Abroad Padua. Several times he has been guest teacher in Film Music at the University of Salamanca, Spain. He graduated from the Conservatory of Vicenza in Piano and Orchestral Conducting. In 2014 the SAS-Society for Animation Studies assigned him the Norman McLaren-Evelyn Lambart Award for the Best Scholarly Article; the SAS also co-funded his conference "Il cinema d'animazione e l'Italia" (Padua, 2014). He was Chair of the 29th SAS Annual Conference (Padua, 2017). He is associate editor of the cinema journal Cabiria and member of the scientific board of Popular Music Research Today: Revista Online de Divulgación Musicológica (University of Salamanca). He collaborates with many orchestras and cultural organizations, including the Palazzetto Bru Zane in Venice. He wrote the books Metapartiture. Comporre musica per i film muti (2007) and Animazione in cento film (2013, with Giovanni Ricci and Marco Vanelli).
作者簡介(中文翻譯)
馬可·貝拉諾（Marco Bellano, PhD）是義大利帕多瓦大學文化遺產系的動畫歷史兼任教授及博士後研究員。他曾在波士頓大學的帕多瓦海外學習計畫教授義大利電影歷史。他多次在西班牙薩拉曼卡大學擔任電影音樂的客座講師。他畢業於維琴察音樂學院，主修鋼琴和管弦樂指揮。2014年，動畫研究學會（SAS）授予他諾曼·麥克拉倫-伊芙琳·蘭巴特最佳學術文章獎；該學會還共同資助了他的會議「動畫電影與義大利」（帕多瓦，2014）。他曾擔任第29屆SAS年會的主席（帕多瓦，2017）。他是電影期刊《卡比里亞》（Cabiria）的副編輯，也是薩拉曼卡大學的《當代流行音樂研究：音樂學普及期刊》（Popular Music Research Today: Revista Online de Divulgación Musicológica）科學委員會成員。他與許多管弦樂團和文化組織合作，包括威尼斯的布魯·扎內宮（Palazzetto Bru Zane）。他著有《元譜：為無聲電影作曲》（Metapartiture. Comporre musica per i film muti，2007）和《百部電影中的動畫》（Animazione in cento film，2013，與喬凡尼·里奇和馬可·瓦內利合著）。
