Filmmaking Essentials for Photographers: The Fundamental Principles of Transitioning from Stills to Motion
暫譯: 攝影師的電影製作基礎:從靜態到動態的基本原則
Eduardo Angel
- 出版商: Rocky Nook
- 出版日期: 2016-11-30
- 售價: $1,430
- 貴賓價: 9.5 折 $1,359
- 語言: 英文
- 頁數: 200
- 裝訂: Paperback
- ISBN: 1681981629
- ISBN-13: 9781681981628
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商品描述
To remain relevant and in demand in today’s visually driven world, image makers must learn to craft both still photographs and motion in order to attract clients. While there are many similarities between photography and cinematography, there are key aspects of shooting motion―such as sound and camera movement, to name just two―that are uncharted territory for most photographers. In Filmmaking Essentials for Photographers: The Fundamental Principles of Transitioning from Stills to Motion, Emmy Award–winning photographer and filmmaker Eduardo Angel helps you begin your journey to becoming as capable and confident with creating works of motion as you are with photographing still images.
Filmmaking Essentials for Photographers covers a wide range of tools, techniques, resources, and tips that offer practical input on how to transition to motion. This is not an in-depth book on editing, directing, or even lighting. Instead, the goal of this book is to cover the fundamental aspects of filmmaking from a straightforward nuts-and-bolts perspective. You will learn all about:
- • How to switch to a “filmmaker’s brain”: engage with a crew, understand the director’s and director of photography’s roles, and work with a script, shot lists, and storyboards
- • The basics of composition for motion: framing continuous shots, establishing a scene, and creating perspective and movement
- • The role of lighting, including how it is used to tell a story and how it directs the viewer’s attention
- • The crucial part that sound plays in motion, including music and soundscapes
- • How to use the right gear for the job: from cameras and lighting gear to microphones, rigs, and key accessories
- • The art and craft of editing: the post-production workflow, how to organize your assets, and how to deconstruct the editing process
- • Color theory and how you can use it to enhance the story you are telling
- • How to do more with less―no matter the budget
Increasingly, opportunities come to those who can create content for clients that need both stills and motion. To that end, the final chapter of the book covers those business opportunities that will open up to you with your newfound skills in motion: from multimedia projects, educational content, and interviews, to independent short films, stock video footage, and commercials.
商品描述(中文翻譯)
為了在當今以視覺為主導的世界中保持相關性和需求,影像創作者必須學會製作靜態照片和動態影像,以吸引客戶。雖然攝影和電影攝影之間有許多相似之處,但拍攝動態影像的關鍵方面,例如聲音和攝影機運動,對於大多數攝影師來說仍然是未知領域。在《攝影師的電影製作要素:從靜態到動態的基本原則》中,艾美獎得主攝影師和電影製作人 Eduardo Angel 幫助您開始成為在創作動態作品方面與拍攝靜態影像一樣有能力和自信的旅程。
《攝影師的電影製作要素》涵蓋了廣泛的工具、技術、資源和建議,提供了如何轉向動態影像的實用建議。這本書並不是一本深入探討編輯、導演或燈光的書籍。相反,這本書的目標是從簡單的基本原則角度來涵蓋電影製作的基本方面。您將學到以下內容:
• 如何切換到「電影製作人的思維」:與工作團隊互動,理解導演和攝影指導的角色,並與劇本、鏡頭清單和分鏡圖合作
• 動態影像構圖的基本知識:框定連續鏡頭、建立場景以及創造透視和運動
• 燈光的角色,包括如何用燈光講述故事以及如何引導觀眾的注意力
• 聲音在動態影像中的關鍵作用,包括音樂和聲音景觀
• 如何使用適合工作的設備:從相機和燈光設備到麥克風、支架和主要配件
• 編輯的藝術與技術:後期製作工作流程、如何組織資產以及如何解構編輯過程
• 色彩理論以及如何利用它來增強您所講述的故事
• 如何以更少的資源做更多的事情——無論預算如何
越來越多的機會出現在那些能夠為需要靜態和動態內容的客戶創作內容的人身上。為此,本書的最後一章涵蓋了隨著您在動態影像方面的新技能而開啟的商業機會:從多媒體項目、教育內容和訪談,到獨立短片、庫存視頻素材和廣告。