Dramatic Storytelling & Narrative Design: A Writer's Guide to Video Games and Transmedia
暫譯: 戲劇性敘事與敘事設計：遊戲與跨媒體創作的作家指南

Berger, Ross

Dramatic Storytelling & Narrative Design: A Writer's Guide to Video Games and Transmedia

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商品描述

This book describes narrative design's role in game development, provide examples of its practical usage, delve into the day-to-day expectations, and assess its quality in 5 popular games. Additionally, it will discuss the influence of transmedia storytelling in today's games and how its impact continues to grow. Today's IP transcends a single medium. Accordingly, creating its story across various media outlets is necessary to meet the high demands of millennial and GenZ consumers. Game narrative is often the centerpiece of these transmedia extensions.

商品描述(中文翻譯)

本書描述敘事設計在遊戲開發中的角色，提供其實際應用的範例，深入探討日常期望，並評估五款熱門遊戲中的敘事品質。此外，還將討論跨媒體敘事在當今遊戲中的影響，以及其影響力如何持續增長。當今的知識產權（IP）超越了單一媒介。因此，必須在各種媒體平台上創建其故事，以滿足千禧世代和Z世代消費者的高需求。遊戲敘事通常是這些跨媒體延伸的核心。

作者簡介

Ross Berger started his writing career as a playwright in New York, where he received the Cherry Lane Mentorship Fellowship, the Dramatists Guild Playwriting Fellowship, and the Ensemble Studio Theatre's Next-Step Fellowship. In 2004, he co-wrote the Emmy-submitted, Sweeps Week episode "Gov Love" for NBC's Law & Order.

Since 2007, his career has been part Hollywood and part Silicon Valley. Ross bridges the gap between the two by designing, writing, and producing story experiences across traditional and new media platforms. Credits include the Webby-Award winning LonelyGirl15 (2007-2008), the Obama Girl franchise (2007-2008), and the Matt Damon/Ben Affleck-produced show The Runner (2016). In the video game industry, Ross was the senior narrative designer for Microsoft Studios and Electronic Arts for such titles as Quantum Break (2016), Sunset Overdrive (2014), and the NBA Live (2017-2019) franchise. Ross' first console title was CSI: Deadly Intent (2009), where he learned video game storytelling from the former masters of game narrative, Telltale Games. (Rest in peace.)

Ross has also worked heavily in Virtual Reality as a writer for the Oculus Rift launch title Farlands (2016) and the award-winning Eclipse: Edge of Light (2017) for the Google Daydream and Oculus Go.

Ross is also a published author, a former animation writer, and a one-time scenario writer of a board game. A graduate of Brandeis (BA, Philosophy) and Columbia (MFA, Playwriting) universities, Ross is a member of the Writers Guild of America and the Television Academy.

作者簡介(中文翻譯)

羅斯·伯傑（Ross Berger）在紐約開始了他的寫作生涯，最初是一名劇作家，他獲得了櫻桃巷導師獎學金、劇作家公會劇本寫作獎學金以及合奏工作室劇院的下一步獎學金。2004年，他共同編寫了NBC的《法律與秩序》（Law & Order）中提交艾美獎的Sweeps Week集數「Gov Love」。

自2007年以來，他的職業生涯一部分在好萊塢，另一部分在矽谷。羅斯通過設計、編寫和製作跨傳統和新媒體平台的故事體驗，架起了兩者之間的橋樑。其作品包括獲得Webby獎的《孤獨女孩15》（LonelyGirl15，2007-2008）、《奧巴馬女孩》（Obama Girl）系列（2007-2008）以及馬特·達蒙（Matt Damon）和本·阿弗萊克（Ben Affleck）製作的節目《跑者》（The Runner，2016）。在視頻遊戲行業中，羅斯曾擔任微軟遊戲工作室和電子藝術（Electronic Arts）的高級敘事設計師，參與了《量子破碎》（Quantum Break，2016）、《日落過載》（Sunset Overdrive，2014）以及《NBA Live》（2017-2019）系列的開發。羅斯的第一款主機遊戲是《CSI：致命意圖》（CSI: Deadly Intent，2009），他在這款遊戲中向前遊戲敘事大師Telltale Games學習了視頻遊戲的故事講述技術。（願他安息。）

羅斯在虛擬現實領域也有豐富的工作經驗，曾擔任Oculus Rift發行標題《Farlands》（2016）和獲獎作品《Eclipse: Edge of Light》（2017）的編劇，後者是為Google Daydream和Oculus Go開發的。

羅斯還是一位已出版的作者，曾任動畫編劇，並曾擔任桌上遊戲的劇本編寫者。他畢業於布蘭代斯大學（Brandeis，哲學學士）和哥倫比亞大學（Columbia，劇作碩士），是美國編劇工會和電視學院的成員。

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