Film Music in Concert: The Pioneering Role of the Boston Pops Orchestra
暫譯: 電影音樂音樂會:波士頓流行管弦樂團的開創性角色

Audissino, Emilio

  • 出版商: Cambridge
  • 出版日期: 2021-12-16
  • 售價: $1,140
  • 貴賓價: 9.5$1,083
  • 語言: 英文
  • 頁數: 75
  • 裝訂: Quality Paper - also called trade paper
  • ISBN: 1009009095
  • ISBN-13: 9781009009096
  • 海外代購書籍(需單獨結帳)

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商品描述

The Boston Pops Orchestra was the first orchestra of its kind in the USA: founded in 1885 from the ranks of the Boston Symphony Orchestra, its remit was to offer concerts of light symphonic music. Over the years, and in particular during the fifty-year tenure of its most famous conductor, Arthur Fiedler, the Pops established itself as the premier US orchestra specialising in bridging the fields of 'art music' and 'popular music'. When the Hollywood composer John Williams was assigned the conductorship of the orchestra in 1980, he energetically advocated for the inclusion of film-music repertoire, changing Fiedler's approach significantly. This Element offers a historical survey of the pioneering agency that the Boston Pops had under Williams's tenure in the legitimisation of film music as a viable repertoire for concert programmes. The case study is complemented with more general discussions on the aesthetic of film music in concert.

商品描述(中文翻譯)

波士頓流行音樂管弦樂團是美國首個此類型的管弦樂團:成立於1885年,源自波士頓交響樂團,其宗旨是提供輕音樂會。多年來,特別是在其最著名的指揮亞瑟·費德勒(Arthur Fiedler)五十年的任期內,流行音樂管弦樂團確立了自己作為美國首屈一指的管弦樂團,專注於橋接「藝術音樂」和「流行音樂」的領域。當好萊塢作曲家約翰·威廉斯(John Williams)於1980年被任命為該樂團的指揮時,他積極倡導將電影音樂納入曲目,顯著改變了費德勒的做法。本書將提供一個歷史調查,探討波士頓流行音樂管弦樂團在威廉斯任期內如何開創性地促進電影音樂作為音樂會曲目的合法化。這個案例研究還將補充更一般性的討論,關於電影音樂在音樂會中的美學。