The Biopolitics of Gesture in the Cinema of Yorgos Lanthimos: Operations of Life
暫譯: 雅戈斯·蘭提莫斯電影中的手勢生物政治：生命的運作
Comanducci, Carlo
- 出版商: Palgrave MacMillan
- 出版日期: 2024-12-04
- 售價: $6,400
- 貴賓價: 9.5 折 $6,080
- 語言: 英文
- 頁數: 293
- 裝訂: Hardcover - also called cloth, retail trade, or trade
- ISBN: 3031741889
- ISBN-13: 9783031741883
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商品描述
This book establishes a dialogue between Yorgos Lanthimos and Giorgio Agamben as a way of interpreting the "weird" roles, rules, and rituals that define and discipline lives in Lanthimos's early works, from Kinetta to The Killing of a Sacred Deer. By exploring the resonance between Lanthimos's cinema and Agamben's understanding of gesture, this work wants to contribute to a theory of performative power under biopolitical and spectacular modalities of government, focussing in particular on Agamben's ideas of operativity and inoperativity and on the construction and deconstruction of the white bourgeois, normative, and consensual "formality" of life. In turn, the role gestures play in Lanthimos's critique of patriarchy and of neoliberal forms of vulnerabilisation is used to question Agamben's unspoken affinities with contemporary radical feminism and queer theory.
商品描述(中文翻譯)
這本書建立了Yorgos Lanthimos與Giorgio Agamben之間的對話，作為解釋Lanthimos早期作品中定義和規範生活的「奇怪」角色、規則和儀式的一種方式，從《Kinetta》到《The Killing of a Sacred Deer》。通過探索Lanthimos的電影與Agamben對手勢理解之間的共鳴，本書希望對在生物政治和壯觀的政府模式下的表演性權力理論作出貢獻，特別聚焦於Agamben的操作性（operativity）和非操作性（inoperativity）思想，以及白人中產階級的規範性和共識性「形式」的建構與解構。反過來，手勢在Lanthimos對父權制和新自由主義脆弱化形式的批判中所扮演的角色，則用來質疑Agamben與當代激進女性主義和酷兒理論之間未言明的親和力。
作者簡介
Carlo Comanducci is the author of Spectatorship and Film Theory: The Wayward Spectator (Palgrave Macmillan, 2018) and co-editor, with Alex Wilkinson, of Matters of Telling: The Impulse of the Story (2019). He writes on cinema, gesture, and film experience, critical and queer theory. He lives, mostly, in France, and teaches film history and film theory at Vistula University in Warsaw, Poland.
作者簡介(中文翻譯)
Carlo Comanducci 是《觀眾與電影理論：任性的觀眾》（Palgrave Macmillan, 2018）的作者，並與 Alex Wilkinson 共同編輯《敘述的事物：故事的衝動》（2019）。他專注於電影、手勢和電影體驗，以及批判理論和酷兒理論的寫作。他主要居住在法國，並在波蘭華沙的維斯圖拉大學教授電影歷史和電影理論。
