The Palgrave Handbook of Critical Music Industry Studies

Arditi, David, Nolan, Ryan

The Palgrave Handbook of Critical Music Industry Studies
  • 出版商: Palgrave MacMillan
  • 出版日期: 2024-11-20
  • 售價: $11,360
  • 貴賓價: 9.5 折 $10,792
  • 語言: 英文
  • 頁數: 656
  • 裝訂: Hardcover - also called cloth, retail trade, or trade
  • ISBN: 3031640128
  • ISBN-13: 9783031640124

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商品描述

The Handbook of Critical Music Industry Studies provides students and researchers with the means to think about how the performance, recording, and publishing of music could be if we do things differently. People are hungry for a more equitable music performance and recording system. The industry exudes patriarchy, white supremacy, cultural imperialism, ableism, and worker exploitation. In the context of gendered (e.g., #MeToo and #TimesUp) and racialized (e.g., Black Lives Matter) inequity, rampant precarity and casualization, and modes of musical dissemination that are changing faster than policymakers and regulatory bodies can keep up with, the timing for assembling such an interdisciplinary collection could not be more appropriate. Essays in this handbook will tackle power structures at root in the music industry and the academic study of the field. Topics covered include the politics of representation and power in the global music industries, the labor ofmusic, music as media (including data and algorithmic culture), and copyright/intellectual property, among others.


商品描述(中文翻譯)

《音樂產業批判研究手冊》為學生和研究者提供了思考音樂表演、錄音和出版如果以不同方式進行會是什麼樣子的工具。人們渴望一個更公平的音樂表演和錄音系統。這個行業散發著父權主義、白人至上主義、文化帝國主義、能力歧視和工人剝削。在性別（例如 #MeToo 和 #TimesUp）和種族（例如 Black Lives Matter）不平等的背景下，普遍的脆弱性和非正式化，以及音樂傳播方式的變化速度超過了政策制定者和監管機構的跟進能力，組成這樣一個跨學科的合集的時機再合適不過。這本手冊中的文章將探討音樂產業及其學術研究中的權力結構。涵蓋的主題包括全球音樂產業中的代表性和權力政治、音樂勞動、音樂作為媒介（包括數據和算法文化）、以及版權/智慧財產權等。

作者簡介

Dr David Arditi, a Professor of Sociology at the University of Texas at Arlington, is a scholar of digital technology. Arditi has published five books. His most recent publication is Digital Feudalism: Creators, Credit, Consumption, and Capitalism (2023). In 2020, Arditi published Getting Signed: Record Contracts, Musicians and Power in Society with Palgrave. This book explores the way old forms of capitalism take root in new parts of the economy. His first book, iTake-Over: The Recording Industry in the Digital Era, explores the way the major record labels used their power to change the legal and public reception of digital technologies.

Dr Ryan Nolan is a Research Fellow at the University of Exeter Business School. He works on issues related to organizational sustainability across a variety of empirical settings and has taught both in the UK and internationally on creative and cultural industries. In a past life, he toured with several bands and received international radio play. He sits on the editorial board of The Sociological Review.

作者簡介(中文翻譯)

大衛·阿爾迪提博士是德克薩斯州阿靈頓大學的社會學教授，專注於數位科技的研究。阿爾迪提已出版五本書籍。他最近的出版作品是數位封建主義：創作者、信用、消費與資本主義（2023年）。在2020年，阿爾迪提與Palgrave出版了簽約：唱片合約、音樂家與社會中的權力。這本書探討了舊有資本主義形式如何在經濟的新領域扎根。他的第一本書接管：數位時代的唱片產業探討了主要唱片公司如何利用其權力改變法律和公眾對數位科技的接受度。

瑞安·諾蘭博士是埃克塞特大學商學院的研究員。他專注於組織可持續性相關議題，並在多種實證環境中進行研究，曾在英國及國際上教授創意和文化產業相關課程。在過去，他曾與幾支樂隊巡演並獲得國際廣播播放。他是社會學評論的編輯委員會成員。

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