On the Artistic Representation of Industrial Disputes in the Shadow of Repression in European Art: From 1870 to 1914 and Beyond
Dorssemont, Filip
- 出版商: Springer
- 出版日期: 2024-07-30
- 售價: $6,130
- 貴賓價: 9.5 折 $5,824
- 語言: 英文
- 頁數: 188
- 裝訂: Hardcover - also called cloth, retail trade, or trade
- ISBN: 3031636333
- ISBN-13: 9783031636332
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商品描述
This book is the first volume on the artistic representation of industrial disputes in European art (from 1870 to 1914) since the catalogue of the landmark exhibition Streik, Realität und Mythos, organized by the Deutsches Historisches Museum (1992). It has been written by a group of scholars who share a keen interest in social history and the history of art, as well as in-depth knowledge of industrial relations and collective labour law.
Seeking to transcend a purely western European perspective, the book offers unprecedented insights into artistic production in Poland and Hungary from the 19th century to the communist era. It even goes beyond the European continent, examining the United States and Mexico.
The media explored include painting, sculpture, the graphic arts and photography. Further, the book deals with artists great (Carlo Carrà, Walter Crane, James Ensor, Juan Gris, Käthe Kollwitz, Constantin Meunier, Mihály Munkácsy, Théophile-Alexandre Steinlen and Jan Toorop) and small, sometimes even anonymous. The artistic styles range from (social) realism, naturalism and neo-impressionism to futurism and socialist realism.
All stages of industrial disputes (from the causes of strikes to their violent suppression) are subjected to iconographical and iconological analysis, combined with perspectives from visual studies, critical art and gender studies. Agricultural workers, miners, construction workers and textile workers fill the scenes. Most of them are subordinate workers; others are (bogus) independent workers and migrant workers.
Given its scope, the book will be of interest to (art) historians, labour law scholars, and specialists in industrial relations.
商品描述(中文翻譯)
這本書是關於歐洲藝術中工業爭議的第一卷(從1870年到1914年),自德國歷史博物館(1992年)舉辦的具有里程碑意義的展覽《Streik, Realität und Mythos》以來。它由一群對社會歷史和藝術史有濃厚興趣,並且對勞資關係和集體勞動法有深入了解的學者撰寫。
該書試圖超越純粹的西歐視角,提供了對波蘭和匈牙利從19世紀到共產主義時代的藝術生產的前所未有的洞察。它甚至超越了歐洲大陸,研究了美國和墨西哥。
媒體形式包括繪畫、雕塑、平面藝術和攝影。此外,該書涉及到了偉大的藝術家(如卡洛·卡拉、沃爾特·克雷恩、詹姆斯·恩索爾、胡安·格里斯、凱特·科爾維茨、康斯坦丁·默尼爾、米哈伊·蒙卡奇和雅恩·圖羅普),以及一些小型甚至匿名的藝術家。藝術風格從(社會)寫實主義、自然主義和新印象主義到未來主義和社會主義寫實主義。
書中對工業爭議的各個階段(從罷工原因到暴力鎮壓)進行了圖像和圖像學分析,結合了視覺研究、批判藝術和性別研究的觀點。農業工人、礦工、建築工人和紡織工人充滿了場景。他們中的大多數是下級工人;其他人是(虛假的)獨立工人和移民工人。
鑑於其範圍,這本書將對(藝術)歷史學家、勞動法學者和工業關係專家感興趣。
作者簡介
Prof. Dr. Filip Dorssemont is full professor of Labour Law at the Faculty of Law of the UCLouvain (in Louvain-La-Neuve). He is the President of the School of Labour Sciences (UCLouvain) and member of the Transnational Trade Union Rights Expert Network (European Trade Union Institute). Filip Dorssemont has read law (Antwerp University, Master in Law 1993), studied philosophy (bachelor Antwerp University 1990, and a Complementary Studies in Philosophy at the Institute of Philosophy, Leuven University, 1994). In 2001 he defended a Ph.D. thesis in law. In 2023 he obtained a Master in History of Art (UCLouvain).
作者簡介(中文翻譯)
Prof. Dr. Filip Dorssemont是UCLouvain法學院的勞動法教授。他是勞動科學學院(UCLouvain)的校長,也是跨國工會權利專家網絡(歐洲工會研究所)的成員。Filip Dorssemont在法學方面有豐富的學術背景,他於1993年在安特衛普大學獲得法學碩士學位,並於1994年在魯汶大學哲學研究所修讀哲學。2001年,他完成了一篇法學博士論文。2023年,他獲得了UCLouvain的藝術史碩士學位。