Carnival Caricatures: Carnival and Humor in Rio de Janeiro, Brazil

Lopes Da Cunha, Fabiana

Carnival Caricatures: Carnival and Humor in Rio de Janeiro, Brazil
  • 出版商: Springer
  • 出版日期: 2024-08-07
  • 售價: $5,720
  • 貴賓價: 9.5 折 $5,434
  • 語言: 英文
  • 頁數: 400
  • 裝訂: Hardcover - also called cloth, retail trade, or trade
  • ISBN: 3031614941
  • ISBN-13: 9783031614941

    • 海外代購書籍(需單獨結帳)

商品描述

​This work analyzes carnival in Rio de Janeiro through the irreverent view disclosed by the illustrated Brazilian magazines Fon-Fon! and Careta. For such purpose, texts and illustrations elaborated by great names in caricature and literature were used, as well as by journalists who remained anonymous due to the fact that their chronicles and articles did not carry their signatures. The way in which carnival was dealt with in said publications, was intimately related to the world view which intellectuals enjoyed, the Belle Epoque, and to the readers of these magazines: the urban middle classes and part of the elite. To understand both the view and the type of humoristic approach used, songs and the works of chronicle writers, memorialists and historians who worked on the theme were also investigated. At the end, what could be verified through the study of these publications was the importance that carnival enjoyed in the lives of those men of letters and brushes, and how relevant was the counterpart which they made possible not only to readers, but also to us, historians.

Through these publications, it is possible to redeem and reconstruct part of the history of carnival as well as understand the context of the period, political problems, stylishness, innovations and changes in the lives of Rio de Janeiro (carioca) dwellers. So much attention to the theme from the illustrated press denotes the importance of carnival to the financial health of newspaper companies, since the subject and its well-humored approach pleased readers, besides showing that not only did those writers and artists write about the festivities in an irreverent manner, but they also actively participated in them as carnival merrymakers, and therefore they were, themselves, artificers of that history.

商品描述(中文翻譯)

這項研究透過巴西插畫雜誌 Fon-Fon! 和 Careta 所揭示的無畏視角，分析了里約熱內盧的嘉年華。為此，使用了由著名的漫畫家和文學家創作的文本和插圖，以及一些因為其專欄和文章未署名而保持匿名的記者的作品。這些出版物中對嘉年華的處理方式，與知識分子所享有的世界觀、優雅時代（Belle Epoque）以及這些雜誌的讀者：城市中產階級和部分精英，密切相關。為了理解這種視角和所使用的幽默方式，還調查了與此主題相關的歌曲以及專欄作家、紀實作家和歷史學家的作品。最終，透過對這些出版物的研究，可以驗證嘉年華在這些文人和藝術家的生活中所享有的重要性，以及他們所提供的對讀者和我們這些歷史學家的相關性。

透過這些出版物，有可能重建和回顧嘉年華的一部分歷史，並理解該時期的背景、政治問題、風格、創新以及里約熱內盧（carioca）居民生活中的變化。插畫媒體對這一主題的高度關注顯示了嘉年華對報紙公司的財務健康的重要性，因為這一主題及其幽默的處理方式取悅了讀者，並顯示出這些作家和藝術家不僅以無畏的方式撰寫有關慶典的內容，還作為嘉年華的參與者積極參與其中，因此他們本身就是那段歷史的創造者。

作者簡介

Professor Fabiana Lopes da Cunha is a Postdoctoral Fellow at King's College London (217), where she also worked as a Visiting Research Fellow in the Department of Spanish, Portuguese & Latin American Studies, in the Faculty of Arts & Humanities at King's College London under the supervision of Camoes Professor David Treece. She holds a PhD and a master's degree in Social History from the University of São Paulo (USP), where she also completed her bachelor's and licentiate's degrees in History. She has worked as a lecturer and researcher at the Universidade Estadual Paulista "Júlio de Mesquita Filho" since 2003, where she also coordinates a Documentation and Memory Centre (CEDOM) with the aim of preserving local and regional memory. She has experience in the field of History with an emphasis on Brazilian History, mainly in the area of Cultural History during the Imperial and Republican periods up to the end of the Estado Novo. Her areas of interest are linked to the Social History of Culture and Atlantic History, such as: Brazilian popular music, popular culture (festivals), museums, diaspora and intangible heritage. In 2004 he published his first book "Da Marginalidade ao Estrelato: O Samba na Construção da Nacionalidade(1917-1945)", by Annablume Publishing. She is accredited in the postgraduate programme of the History course at UNESP in Assis in the research line "Culture, Historiography and Heritage". She was a CONDEPHAAT counsellor between 2011 and 2014. She is leader of the Heritage research group, deputy leader of the History & Music research group and participates in the Identity Dialogues research group at King's College London. She was invited, as the organiser of the Angra Doce Project in the state of São Paulo and a representative of UNESP, to take part in the Global Leaders Summit 2018 and the Brazil SDG Business Forum during the 73rd United Nations General Assembly.

作者簡介(中文翻譯)

法比安娜·洛佩斯·達·庫尼亞教授是倫敦國王學院的博士後研究員（217），她曾在該校的西班牙語、葡萄牙語及拉丁美洲研究系擔任訪問研究員，並在大學藝術與人文學院的指導下，接受卡莫斯教授大衛·特里斯的指導。她擁有聖保羅大學（USP）的社會歷史博士學位和碩士學位，並在該校完成了歷史學的學士和執照學位。自2003年以來，她在聖保羅州立大學「朱利奧·德·梅斯基塔·費略」擔任講師和研究員，並負責一個文獻與記憶中心（CEDOM），旨在保存地方和區域記憶。她在歷史領域有著以巴西歷史為重點的經驗，主要集中在帝國和共和時期的文化歷史，直到新國家時期結束。她的研究興趣與文化的社會歷史和大西洋歷史相關，包括：巴西流行音樂、流行文化（節慶）、博物館、散居和無形文化遺產。她於2004年出版了第一本書《從邊緣到明星：桑巴在國家建設中的角色（1917-1945）》，由Annablume出版社出版。她在UNESP的歷史課程研究生項目中獲得認證，研究方向為「文化、歷史學和遺產」。她在2011年至2014年間擔任CONDEPHAAT顧問。她是遺產研究小組的負責人，歷史與音樂研究小組的副負責人，並參與倫敦國王學院的身份對話研究小組。她受邀作為聖保羅州安格拉多塞計畫的組織者及UNESP的代表，參加2018年全球領袖峰會和第73屆聯合國大會期間的巴西可持續發展目標商業論壇。

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