Dance Practices as Research: Approaches to the Safeguarding and Transmission of the Intangible Cultural Heritage of Dance
Kämpfe, Vicky
- 出版商: Springer
- 出版日期: 2024-05-20
- 售價: $4,360
- 貴賓價: 9.5 折 $4,142
- 語言: 英文
- 頁數: 155
- 裝訂: Quality Paper - also called trade paper
- ISBN: 3031305833
- ISBN-13: 9783031305832
海外代購書籍(需單獨結帳)
相關主題
商品描述
This book contributes to the growing scientific literature on 'intangible cultural heritage' - determined by UNESCO to be particularly worthy of safeguarding and transmission - by advancing a theoretical-analytical framework for the (in)tangible cultural heritage of dance. By exploring the potential of the 'intangible materiality' of dance practice the book argues that implementing the concept of a 'performative dance-archive' creates a new analytic field: research in praxis.
The concept of the 'performative dance-archive' draws out the potential for safeguarding and transmission of dance heritage, but also the challenges of the opposition between living heritage and the codifying of cultural inventories. This book uses the formal and contextual transformation of Argentine tango and German modern dance to discuss this ambiguity of intangible heritage and how the "performative dance-archive" creates a cognitive, empractical approach to determine, archive, and distribute danceknowledge.
This is a timely methodological intervention in the context of the increasing importance of the intangible cultural heritage. It enables us to re-revise the concept of (im)materiality and the specific knowledges within cultural practice as a necessary fundamental category for research-processes and societal growth. This book is directed both to researchers in the field of intangible cultural heritage and to practitioners and researchers searching for new ways of investigating methods and perspectives to understand 'immaterial materialities'.
商品描述(中文翻譯)
這本書對於「無形文化遺產」的科學文獻做出了貢獻，該遺產被聯合國教科文組織認定為特別值得保護和傳承的。本書提出了一個理論分析框架，探討舞蹈的（無）形文化遺產。通過探索舞蹈實踐的「無形物質性」的潛力，本書主張實施「表演舞蹈檔案館」的概念創造了一個新的分析領域：實踐研究。
「表演舞蹈檔案館」的概念揭示了保護和傳承舞蹈遺產的潛力，同時也揭示了活的遺產與文化清單編制之間的挑戰。本書通過阿根廷探戈和德國現代舞的形式和背景轉變來討論無形遺產的這種模糊性，以及「表演舞蹈檔案館」如何創造一種認知、實踐的方法來確定、存檔和分發舞蹈知識。
在無形文化遺產日益重要的背景下，這是一個及時的方法論介入。它使我們能夠重新審視（非）物質性的概念以及文化實踐中的特定知識，作為研究過程和社會增長的必要基本類別。本書旨在針對無形文化遺產領域的研究人員，以及尋求探索新方法和觀點來理解「非物質性物質性」的實踐者和研究人員。
作者簡介
Vicky Kämpfe studied Applied Cultural Sciences at the University of Lüneburg. Early on in her studies, she became involved with the topic of her investigation while interning with the German UNESCO-Commission in Bonn and at the Municipal Culture Department of the City of Córdoba, Argentina. After graduating with an M.A., she worked for several years as a project coordinator, in artist management, and also as a dancer. Within the scope of her doctoral studies at Leuphana University Lüneburg, she dedicated herself to the scientific study of cultural practices, specifically dance and movement practices. The successful completion of her PhD, along with her experiences in the field help enable her to realize her vision of a 'society in movement' through a dance and movement project by using theoretical and practical ways to implement it.
The doctorate was completed at Leuphana University Lüneburg, in the faculty of Humanities and Sciences. Her research is focused on discovering howcultural practices, such as intangible heritage, are recognized by institutions including UNESCO and how this recognition modifies their value and function within social structures. She aims to find out which implications cause these potential changes to both cultural heritage and even the practices themselves. Using the Tango as a case study, she is able to find out about the indications of such institutional praxes of recognition. Her investigation is based on Pierre Bourdieu's praxeological approach, which allows her to find out specific concepts referring to intangible cultural heritage and practices of movement. Within the framework of her investigation, Vicky Kämpfe succeeds in re-interpreting constituting terms and concepts of the Convention such as the 'value of the intangible' and 'movement knowledge' and indicates how they could be implemented into practice.
Her intention of investigation and practical implementation work is to realize various forms of intangible cultural heritage in projects and concepts of the intangible, paying particular attention to the specific value of movement knowledge. With this background, she now applies her findings both in the field of practice as well as in seminars and lectures in academic settings. She initiates and realises movement projects, seminars and dance workshops in cooperation with public institutions and outside of them. As a lecturer at Leuphana University Lüneburg, she implements and further develops the concept of living dance archive as a performative method within the approach of research in praxis with students.
Her research interests focus on the determinability of knowledge of, in and through dance, on the quality of movement practices, on archival conceptions, the significance of cultural heritage and associated institutionalisation processes within the theoretic as well as praxis sphere, finally on performative methods of science (research in praxis).
The following are selected publications of the authors: Performative Tanzarchive. Ein Zugang zu tänzerischen Praktiken inmitten von (Im)Materialitäten. [Performative dance archives. An approach to dance practices within of (im)materialities] In: Jahrbuch für Tanzforschung. transcript Verlag Bielefeld 2020
Kulturerbe Tango. Tanz, Politik und Kulturindustrie. [Cultural heritage dance. Dance, politics and cultural industries] transcript Verlag Bielefeld 2018.
作者簡介(中文翻譯)
Vicky Kämpfe在Lüneburg大學學習應用文化科學。在她的學習早期，她在德國聯合國教科文組織委員會（German UNESCO-Commission）的實習和阿根廷科爾多瓦市市政文化部門的實習期間，就開始參與她的研究主題。在獲得碩士學位後，她在幾年間擔任項目協調員、藝術家管理人員和舞者。在Lüneburg大學的博士研究中，她致力於對文化實踐，特別是舞蹈和運動實踐的科學研究。她成功完成博士學位，並通過在該領域的經驗幫助她實現了通過舞蹈和運動項目實現“運動社會”願景的理論和實踐方式。
她的博士學位是在Lüneburg大學人文與科學學院完成的。她的研究重點是發現文化實踐（如無形遺產）如何被聯合國教科文組織等機構認可，以及這種認可如何修改它們在社會結構中的價值和功能。她的目標是找出這些潛在變化對文化遺產和實踐本身造成的影響。通過以探戈為案例研究，她能夠了解這種機構認可的跡象。她的研究基於皮埃爾·布迪厄的實踐方法，這使她能夠找出與無形文化遺產和運動實踐相關的具體概念。在她的研究框架內，Vicky Kämpfe成功地重新詮釋了《公約》中的構成術語和概念，如“無形價值”和“運動知識”，並指出了如何將它們應用於實踐中。
她的研究意圖和實踐實施工作是在項目和無形文化遺產概念中實現各種形式的無形文化遺產，特別關注運動知識的特定價值。在此背景下，她現在將她的研究成果應用於實踐領域以及學術研討會和講座中。她與公共機構合作並在其外開展運動項目、研討會和舞蹈工作坊。作為Lüneburg大學的講師，她在研究實踐方法的框架內實施並進一步發展了生動舞蹈檔案的概念，與學生一起進行研究。
她的研究興趣集中在舞蹈中的知識的確定性、運動實踐的質量、檔案概念、文化遺產的重要性以及與之相關的制度化過程，最終還包括科學的表演方法（實踐中的研究）。
以下是作者的選擇性出版物: 《Performative Tanzarchive. Ein Zugang zu tänzerischen Praktiken inmitten von (Im)Materialitäten》（表演舞蹈檔案。在（非）物質性中探索舞蹈實踐的方法）. In: Jahrbuch für Tanzforschung. transcript Verlag Bielefeld 2020
《Kulturerbe Tango. Tanz, Politik und Kulturindustrie》（文化遺產舞蹈。舞蹈、政治和文化產業）. transcript Verlag Bielefeld 2018.
