The New Television: Video After Television
暫譯: 新電視:電視之後的視頻

Churner, Rachel, Cleman, Rebecca, Maxin, Tyler

  • 出版商: No Place Press
  • 出版日期: 2024-12-31
  • 售價: $1,820
  • 貴賓價: 9.5$1,729
  • 語言: 英文
  • 頁數: 464
  • 裝訂: Hardcover - also called cloth, retail trade, or trade
  • ISBN: 1949484114
  • ISBN-13: 9781949484113
  • 海外代購書籍(需單獨結帳)

商品描述

作者簡介

Rachel Churner is the director of the Carolee Schneemann Foundation. She is also an art critic and editor, whose writings have appeared in Artforum and October magazine, among other publications. She was a recipient of the 2018 Creative Capital/Andy Warhol Foundation Arts Writers Grant and is the editor of multiple books, including Jacqueline Humphries: jHΩ1: ) (2022); Yvonne Rainer: Revisions (no place press, 2020), Hans Haacke (MIT Press, 2015), and two volumes of writings by film historian Annette Michelson (MIT Press, 2017 and 2020). Churner is a faculty member at Eugene Lang College at The New School, New York.

Rebecca Cleman is Executive Director of Electronic Arts Intermix (EAI) and a writer. She has programmed screenings and special projects for such venues as the International House Philadelphia; the Museum of Art and Design, Anthology Film Archives, and Andrea Rosen Gallery, New York City; and the Julia Stoschek Collection, Germany; and organized or co-organized many events for EAI, including a panel discussion on the films of David Wojnarowicz and a conversation between Hilton Als and The Wooster Group's director and co-founder Elizabeth LeCompte.

Tyler Maxin is curator at Blank Forms. He was previously the Communications and Special Projects Associate at Electronic Arts Intermix (EAI). His writing has appeared in publications including Artforum, BOMB, and Film Comment.

作者簡介(中文翻譯)

瑞秋·喬納(Rachel Churner)是卡羅莉·施尼曼基金會的主任。她同時也是一位藝術評論家和編輯,其著作曾發表於《Artforum》和《October》等多個出版物。她是2018年創意資本/安迪·沃荷基金會藝術作家獎的得主,並編輯了多本書籍,包括《Jacqueline Humphries: jHΩ1: )》(2022年)、《Yvonne Rainer: Revisions》(no place press,2020年)、《Hans Haacke》(MIT Press,2015年)以及電影歷史學家安妮特·米歇爾森(Annette Michelson)的兩卷著作(MIT Press,2017年和2020年)。喬納是紐約新學院尤金·朗學院的教職員。

瑞貝卡·克萊曼(Rebecca Cleman)是電子藝術互動(Electronic Arts Intermix, EAI)的執行董事及作家。她曾為費城國際之家、紐約市的藝術與設計博物館、影像檔案館(Anthology Film Archives)和安德烈亞·羅森畫廊等場館策劃放映和特別項目,並為德國的朱莉亞·斯托斯基克收藏(Julia Stoschek Collection)組織或共同組織了許多活動,包括關於大衛·沃納羅維奇(David Wojnarowicz)電影的座談會,以及希爾頓·阿爾斯(Hilton Als)與伍斯特集團(The Wooster Group)導演兼共同創辦人伊莉莎白·勒孔普(Elizabeth LeCompte)之間的對話。

泰勒·馬克辛(Tyler Maxin)是Blank Forms的策展人。他之前是電子藝術互動(EAI)的傳播與特別項目助理。他的著作曾發表於《Artforum》、《BOMB》和《Film Comment》等出版物。

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