商品描述
For decades performers, instrumentalists, composers, technicians and sound engineers continue to manipulate sound material. They are trying with more or less success to create, to innovate, improve, enhance, restore or modify the musical message. The sound of distorted guitar of Jimi Hendrix, Pierre Henry's concrete music, Pink Flyod's rock psychedelic, Kraftwerk 's electronic music, Daft Punk and rap T-Pain, have let emerge many effects: reverb, compression, distortion, auto-tune, filter, chorus, phasing, etc. The aim of this book is to introduce and explain these effects and sound treatments by addressing their theoretical and practical aspects.
商品描述(中文翻譯)
數十年來,表演者、樂器演奏者、作曲家、技術人員和音響工程師持續操控聲音素材。他們試圖以或多或少的成功來創造、創新、改善、增強、恢復或修改音樂訊息。吉米·亨德里克斯(Jimi Hendrix)扭曲吉他的聲音、皮埃爾·亨利(Pierre Henry)的具體音樂、平克·佛洛伊德(Pink Floyd)的迷幻搖滾、克拉夫特威克(Kraftwerk)的電子音樂、達夫朋克(Daft Punk)和T-Pain的饒舌,讓許多效果浮現出來:混響(reverb)、壓縮(compression)、失真(distortion)、自動調音(auto-tune)、濾波器(filter)、合唱(chorus)、相位(phasing)等。本書的目的是介紹和解釋這些效果和聲音處理,並探討它們的理論和實踐方面。
作者簡介
Jean-Michel Réveillac is a consultant-adviser and lecturer for large companies. He currently teaches at the University of Burgundy, and CNAM in France and at IGA in Morocco.
作者簡介(中文翻譯)
讓-米歇爾·雷維亞克(Jean-Michel Réveillac)是大型公司的顧問和講師。他目前在法國的勃艮第大學(University of Burgundy)和國家應用科學學院(CNAM)以及摩洛哥的IGA任教。