Decentralized Music: Exploring Blockchain for Artistic Research
暫譯: 去中心化音樂：探索區塊鏈在藝術研究中的應用
De Assis, Paulo, Lukawski, Adam
- 出版商: CRC
- 出版日期: 2024-08-14
- 售價: $4,590
- 貴賓價: 9.5 折 $4,361
- 語言: 英文
- 頁數: 196
- 裝訂: Hardcover - also called cloth, retail trade, or trade
- ISBN: 1032601612
- ISBN-13: 9781032601618
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相關分類:
區塊鏈 Blockchain
海外代購書籍(需單獨結帳)
相關主題
商品描述
This book offers a thorough exploration of the potential of blockchain and AI technologies to transform musical practices. Including contributions from leading researchers in music, arts, and technology, it addresses central notions of agency, authorship, ontology, provenance, and ownership in music.
Together, the chapters of this book, often navigating the intersections of post-digital and posthumanist thought, challenge conventional centralized mechanisms of music creation and dissemination, advocating for new forms of musical expression.
Stressing the need for the artistic community to engage with blockchain and AI, this volume is essential reading for artists, musicians, researchers, and policymakers curious to know more about the implications of these technologies for the future of music.
商品描述(中文翻譯)
本書深入探討區塊鏈和人工智慧技術在音樂實踐中轉型的潛力。書中包含來自音樂、藝術和技術領域的領先研究者的貢獻，針對音樂中的代理性、著作權、本體論、來源和所有權等核心概念進行討論。
本書的各章節經常在後數位和後人文主義思想的交集上進行探索，挑戰傳統的音樂創作和傳播的集中機制，倡導新的音樂表達形式。
強調藝術社群需要與區塊鏈和人工智慧互動，本書對於藝術家、音樂家、研究者和政策制定者來說，是了解這些技術對音樂未來影響的重要讀物。
作者簡介
Paulo de Assis is an artist researcher based at Orpheus Institute, operating at the intersection of music performance, composition, critical thought, and contemporary philosophy. Active as pianist, researcher, and author, he wrote Logic of Experimentation--Rethinking Music Performance through Artistic Research (Leuven 2018). Recent artistic-research projects include experimental performance practices on music by Beethoven, Schumann, Nietzsche, and Luigi Nono.
Adam Lukawski is a pioneering music composer and computer programmer, innovating at the nexus of computer-assisted music composition and posthuman artistic research. His work, deeply engaged with aleatoric and generative methods, explores the integration of AI and blockchain technologies for creating novel compositional frameworks and enhancing musical interactivity.
作者簡介(中文翻譯)
保羅·德·阿西斯是一位藝術研究者，駐於奧菲斯研究所，專注於音樂表演、作曲、批判性思考和當代哲學的交匯點。他活躍於鋼琴演奏、研究和著作，撰寫了實驗邏輯——通過藝術研究重新思考音樂表演（魯汶 2018）。最近的藝術研究項目包括對貝多芬、舒曼、尼采和路易吉·諾諾音樂的實驗性表演實踐。
亞當·盧卡夫斯基是一位開創性的音樂作曲家和計算機程序員，致力於計算機輔助音樂作曲和後人類藝術研究的交匯處。他的作品深度參與隨機和生成方法，探索人工智慧和區塊鏈技術的整合，以創造新穎的作曲框架並增強音樂互動性。
