相關主題
商品描述
Is artificial intelligence (AI) becoming more and more expressive, or is human thought adopting more and more structures from computation? What does it mean to perform oneself through AI, or to construct one's subjectivity through AI? How does AI continue to complicate what it means to have a body? Has the golden age of AI, especially with regards to creative applications, already ended?
Choreomata: Performance and Performativity after AI is a book about performance and performativity, but more specifically, it is a book about the performance of artificiality and the performance of intelligence. Both humans and human-designed computational forces are thoroughly engaged in an entangled, mutual performance of AI. Choreomata spins up a latticework of interdisciplinary thought, pairing theoretical inquiry from philosophy, information theory, and computer science with practical case studies from visual art, dance, music, and social theory.
Through cross-disciplinary proportions and a diverse roster of contributors, this book contains insights for computer scientists, social scientists, industry professionals, artists, and beyond.
商品描述(中文翻譯)
人工智慧（AI）是否變得越來越具表現力，還是人類思維越來越多地採用計算的結構？透過AI來表現自我，或是透過AI來建構自我主體性，這意味著什麼？AI如何持續複雜化擁有身體的意義？AI的黃金時代，特別是在創意應用方面，是否已經結束？
《Choreomata: Performance and Performativity after AI》是一本關於表演和表現性的書，但更具體地說，它是一本關於人工性表演和智慧表演的書。人類和人類設計的計算力量都深度參與了AI的交織、互動表演。《Choreomata》編織出一個跨學科的思維網絡，將哲學、信息理論和計算機科學的理論探討與視覺藝術、舞蹈、音樂和社會理論的實際案例研究相結合。
透過跨學科的比例和多樣的貢獻者名單，這本書為計算機科學家、社會科學家、行業專業人士、藝術家等提供了深刻的見解。
作者簡介
Roberto Alonso Trillo is a musician and researcher based in Hong Kong, where he works as an Assistant Professor at the Hong Kong Baptist University. His practice explores the connections between different artistic disciplines, from dance and music to video art and interactive sound installations. His recent work examines networked hybrid music practices endemic to a world increasingly mediated by AI and machine learning. His multipronged practice-based and -led research, operating at the intersection between philosophy, sociology, and cultural studies, spans areas as diverse as a post-structuralist reconsideration of musical workhood and authorship, technologically enhanced string pedagogy, gesture analysis, and interface development.
Roberto is the author of Death and (Re)Birth of J. S. Bach (Routledge) and has published in journals such as Leonardo, Organised Sound, and Music Education Research. He is a co-founder, with his colleague Peter AC Nelson, of the MetaCreativity Lab at Hong Kong Baptist University. His long-time partnership with Marek Poliks - DisintegratorAI - has led to the publication of several CDs, journal articles, and the exhibition of interactive artworks in international venues.
Marek Poliks is an artist, engineer, and theorist based in Minneapolis, Minnesota. He works with machine learning as applied to sound, digital media, robotics, and sculpture.
Marek leads technology at the design firm Polytope, where he builds interactive infrastructure for clients like the Dubai Future Foundation. His long-time partnership with Roberto Alonso - DisintegratorAI - has led to CDs for NEOS and Creotz Ediciones, articles for Leonardo and Organised Sound, a GAN-and Transformer-driven raw audio synthesis engine ('Demiurge'), a real-time behavior-responsive data interface ('Archon'), and two soft robots ('Hydra' and 'Polyp'), and this book.
Marek has a PhD from Harvard, an ASCAP award in music journalism, and a career as an artist exhibiting around the globe.
作者簡介(中文翻譯)
羅伯托·阿隆索·特里略（Roberto Alonso Trillo）是一位駐紮於香港的音樂家和研究者，目前擔任香港浸會大學的助理教授。他的實踐探索不同藝術學科之間的聯繫，從舞蹈和音樂到視頻藝術和互動聲音裝置。他最近的工作研究了在一個日益受到人工智慧和機器學習媒介影響的世界中，網絡化的混合音樂實踐。他的多元化實踐導向研究，運作於哲學、社會學和文化研究的交匯點，涵蓋了多樣的領域，包括對音樂作品性和作者身份的後結構主義重新思考、技術增強的弦樂教學法、手勢分析和介面開發。
羅伯托是《巴赫的死亡與（再）誕生》（Death and (Re)Birth of J. S. Bach，Routledge）的作者，並在《Leonardo》、《Organised Sound》和《Music Education Research》等期刊上發表過文章。他與同事彼得·AC·尼爾森（Peter AC Nelson）共同創立了香港浸會大學的MetaCreativity Lab。他與馬雷克·波利克斯（Marek Poliks）長期合作的DisintegratorAI，已經出版了幾張CD、期刊文章，並在國際場館展出互動藝術作品。
馬雷克·波利克斯（Marek Poliks）是一位駐紮於明尼阿波利斯，明尼蘇達州的藝術家、工程師和理論家。他專注於應用於聲音、數位媒體、機器人技術和雕塑的機器學習。
馬雷克在設計公司Polytope負責技術，為像杜拜未來基金會這樣的客戶建立互動基礎設施。他與羅伯托·阿隆索的長期合作DisintegratorAI，已經為NEOS和Creotz Ediciones製作了CD，為《Leonardo》和《Organised Sound》撰寫了文章，開發了基於GAN和Transformer的原始音頻合成引擎（“Demiurge”）、實時行為響應數據介面（“Archon”）以及兩個軟體機器人（“Hydra”和“Polyp”），還有這本書。
馬雷克擁有哈佛大學的博士學位，獲得ASCAP音樂新聞獎，並作為藝術家在全球展出作品。
