The Language of New Media (Paperback)
暫譯: 新媒體的語言 (平裝本)

Lev Manovich

  • 出版商: MIT
  • 出版日期: 2002-02-22
  • 售價: $599
  • 語言: 英文
  • 頁數: 400
  • 裝訂: Paperback
  • ISBN: 0262632551
  • ISBN-13: 9780262632553
  • 已絕版

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商品描述

Description:

In this book Lev Manovich offers the first systematic and rigorous theory of new media. He places new media within the histories of visual and media cultures of the last few centuries. He discusses new media's reliance on conventions of old media, such as the rectangular frame and mobile camera, and shows how new media works create the illusion of reality, address the viewer, and represent space. He also analyzes categories and forms unique to new media, such as interface and database.

Manovich uses concepts from film theory, art history, literary theory, and computer science and also develops new theoretical constructs, such as cultural interface, spatial montage, and cinegratography. The theory and history of cinema play a particularly important role in the book. Among other topics, Manovich discusses parallels between the histories of cinema and of new media, digital cinema, screen and montage in cinema and in new media, and historical ties between avant-garde film and new media.

Lev Manovich is Associate Professor in the Visual Arts Department at the University of California, San Diego. He is coeditor of Tekstura: Russian Essays on Visual Culture.

商品描述(中文翻譯)

描述:

在這本書中,Lev Manovich 提出了新媒體的第一個系統性和嚴謹的理論。他將新媒體置於過去幾個世紀的視覺和媒體文化歷史中。他討論了新媒體對舊媒體慣例的依賴,例如矩形框架和移動攝影機,並展示了新媒體作品如何創造現實的幻覺、與觀眾互動以及表現空間。他還分析了新媒體特有的類別和形式,例如介面和資料庫。

Manovich 使用了電影理論、藝術史、文學理論和計算機科學的概念,並發展了新的理論構想,例如文化介面、空間蒙太奇和電影圖形學。電影的理論和歷史在這本書中扮演了特別重要的角色。在其他主題中,Manovich 討論了電影歷史與新媒體歷史之間的平行關係、數位電影、電影與新媒體中的螢幕和蒙太奇,以及前衛電影與新媒體之間的歷史聯繫。

Lev Manovich 是加州大學聖地牙哥分校視覺藝術系的副教授。他是《Tekstura: Russian Essays on Visual Culture》的共同編輯。