Publishing Manifestos: An International Anthology from Artists and Writers
暫譯: 出版宣言:來自藝術家與作家的國際選集

Pichler, Michalis

  • 出版商: Summit Valley Press
  • 出版日期: 2019-04-23
  • 售價: $1,430
  • 貴賓價: 9.5$1,359
  • 語言: 英文
  • 頁數: 340
  • 裝訂: Quality Paper - also called trade paper
  • ISBN: 0262537184
  • ISBN-13: 9780262537186
  • 海外代購書籍(需單獨結帳)

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商品描述

Manifestos by artists, authors, editors, publishers, designers, zinesters explore publishing as artistic practice.

Independent publishing, art publishing, publishing as artistic practice, publishing counterculture, and the zine, DIY, and POD scenes have proliferated over the last two decades. So too have art book fairs, an increasingly important venue--or even medium--for art. Art publishing experienced a similar boom in the 1960s and 1970s, in response to the culture's "linguistic turn." Today, art publishing confronts the internet and the avalanche of language and images that it enables. The printed book offers artists both visibility and tangibility. Publishing Manifestos gathers texts by artists, authors, editors, publishers, designers, zinesters, and activists to explore this rapidly expanding terrain for art practice.

The book begins in the last century, with texts by Gertrude Stein, El Lissitsky, Oswald de Andrade, and Jorge-Luis Borges. But the bulk of the contributions are from the twenty-first century, with an emphasis on diversity, including contributions from Tauba Auerbach, Mariana Castillo Deball, Ntone Edjabe, Girls Like Us, Karl Holmqvist, Temporary Services, and zubaan. Some contributors take on new forms of production and distribution; others examine the political potential of publishing and the power of collectivity inherent in bookmaking. They explore among other topics, artists' books, appropriation, conceptual writing, non-Western communities, queer identities, and post-digital publishing. Many texts are reproduced in facsimile--including a handwritten "speculative, future-forward newspaper" from South Africa. Some are proclamatory mission statements, others are polemical self-positioning; some are playful, others explicitly push the boundaries. All help lay the conceptual foundations of a growing field of practice and theory.

Contributors
AND Publishing, Oswald de Andrade, Archive Books, Art-Rite, Rasheed Araeen, Tauba Auerbach, Michael Baers, Bibi Bakare-Yusuf, Ricardo Basbaum, Derek Beaulieu, Bernadette Corporation, Riccardo Boglione, Bombay Underground, Jorge Luis Borges, bpNichol, Kate Briggs, Broken Dimanche Press, Eleanor Vonne Brown, Urvashi Butalia, Ulises Carri n, Mariana Castillo Deball, Paul Chan, Chimurenga, Arpita Das, Anita Di Bianco, Guy Debord, Constant Dullaart, Craig Dworkin, Ntone Edjabe, Zenon Fajfer, Marina Fokidis, General Idea, Annette Gilbert, Girls Like Us, Gloria Glitzer, Marianne Groulez, Alex Hamburger, Karl Holmqvist, Lisa Holzer, Mahmood Jamal, Tom Jennings, Ray Johnson, David Jourdan, Sharon Kivland, Kione Kochi, Kwani?, Bruce LaBruce, Tan Lin, El Lissitzky, Alessandro Ludovico, Sara MacKillop, Steve McCaffery, Jonathan Monk, Simon Morris, Mosireen, Le n Munoz Santini, Takashi Murakami, Deke Nihilson, Aur lie Noury, Johnny Noxzema, Clive Phillpot, Michalis Pichler, Seth Price, Riot Grrrl, Carlos Soto Rom n, Allen Ruppersberg, Joachim Schmid, Oliver Sieber, Paul Soulellis, Matthew Stadler, Gertrude Stein, Paul Stephens, Hito Steyerl, Mladen Stilinovic, Katja Stuke, Temporary Services, Nick Thurston, TIQQUN, Elisabeth Tonnard, V. Vale, Eric Watier, Erik van der Weijde, Lawrence Weiner, Eva Weinmayr, Jan Wenzel, Stephen Willats, Gil J Wolman, zubaan

Copublished with Miss Read: The Berlin Art Book Fair

商品描述(中文翻譯)

藝術家、作家、編輯、出版商、設計師和小冊子創作者的宣言探討出版作為藝術實踐。

獨立出版、藝術出版、作為藝術實踐的出版、反文化出版,以及小冊子、自製出版(DIY)和按需印刷(POD)場景在過去二十年中蓬勃發展。藝術書展也隨之增長,成為藝術日益重要的場所——甚至是媒介。藝術出版在1960年代和1970年代經歷了類似的繁榮,這是對文化的「語言轉向」的回應。如今,藝術出版面對互聯網及其所帶來的語言和圖像的洪流。《出版宣言》匯集了藝術家、作家、編輯、出版商、設計師、小冊子創作者和活動家的文本,以探索這一迅速擴展的藝術實踐領域。

本書以上世紀的文本開始,包含了Gertrude Stein、El Lissitsky、Oswald de Andrade和Jorge-Luis Borges的作品。但大部分貢獻來自二十一世紀,強調多樣性,包括Tauba Auerbach、Mariana Castillo Deball、Ntone Edjabe、Girls Like Us、Karl Holmqvist、Temporary Services和zubaan的貢獻。一些貢獻者採用新的生產和分發形式;另一些則檢視出版的政治潛力以及書籍製作中固有的集體力量。他們探討的主題包括藝術家書籍、挪用、概念寫作、非西方社群、酷兒身份和後數位出版。許多文本以摹本形式重現——包括來自南非的一份手寫「推測性、面向未來的報紙」。有些是宣言式的使命聲明,有些則是爭論性的自我定位;有些是玩味的,另一些則明確挑戰界限。所有這些都有助於奠定一個不斷增長的實踐和理論領域的概念基礎。

貢獻者
AND Publishing、Oswald de Andrade、Archive Books、Art-Rite、Rasheed Araeen、Tauba Auerbach、Michael Baers、Bibi Bakare-Yusuf、Ricardo Basbaum、Derek Beaulieu、Bernadette Corporation、Riccardo Boglione、Bombay Underground、Jorge Luis Borges、bpNichol、Kate Briggs、Broken Dimanche Press、Eleanor Vonne Brown、Urvashi Butalia、Ulises Carri n、Mariana Castillo Deball、Paul Chan、Chimurenga、Arpita Das、Anita Di Bianco、Guy Debord、Constant Dullaart、Craig Dworkin、Ntone Edjabe、Zenon Fajfer、Marina Fokidis、General Idea、Annette Gilbert、Girls Like Us、Gloria Glitzer、Marianne Groulez、Alex Hamburger、Karl Holmqvist、Lisa Holzer、Mahmood Jamal、Tom Jennings、Ray Johnson、David Jourdan、Sharon Kivland、Kione Kochi、Kwani?、Bruce LaBruce、Tan Lin、El Lissitzky、Alessandro Ludovico、Sara MacKillop、Steve McCaffery、Jonathan Monk、Simon Morris、Mosireen、Le n Munoz Santini、Takashi Murakami、Deke Nihilson、Aur lie Noury、Johnny Noxzema、Clive Phillpot、Michalis Pichler、Seth Price、Riot Grrrl、Carlos Soto Rom n、Allen Ruppersberg、Joachim Schmid、Oliver Sieber、Paul Soulellis、Matthew Stadler、Gertrude Stein、Paul Stephens、Hito Steyerl、Mladen Stilinovic、Katja Stuke、Temporary Services、Nick Thurston、TIQQUN、Elisabeth Tonnard、V. Vale、Eric Watier、Erik van der Weijde、Lawrence Weiner、Eva Weinmayr、Jan Wenzel、Stephen Willats、Gil J Wolman、zubaan

與Miss Read: 柏林藝術書展共同出版

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