此商品已下架,若仍需天瓏代為查詢或代購書籍,請與門市客服人員聯繫,或 E-mail 至 service@tenlong.com.tw 將有專人為您服務。

Antonin Artaud: Drawings and Portraits
暫譯: 安東尼·阿爾托:素描與肖像

Thevenin, Paule, Derrida, Jacques, Caws, Mary Ann

  • 出版商: Summit Valley Press
  • 出版日期: 2019-09-03
  • 售價: $1,980
  • 貴賓價: 9.5$1,881
  • 語言: 英文
  • 頁數: 256
  • 裝訂: Hardcover - also called cloth, retail trade, or trade
  • ISBN: 0262039982
  • ISBN-13: 9780262039987
  • 海外代購書籍(需單獨結帳)

相關主題

商品描述

Philosophical and biographical accounts of Antonin Artaud's late visual work, all reproduced in color.

Antonin Artaud (1896-1948)--stage and film actor, director, writer, and visual artist--was a man of rage and genius. Expelled from the Surrealist movement for his refusal to renounce the theatre, he founded the Theater of Cruelty and wrote The Theater and Its Double, one of the key twentieth-century texts on the topic. Artaud spent nine years at the end of his life in asylums, undergoing electroshock treatments. Released to the care of his friends in 1946, he began to draw again.This book presents drawings and portraits from this late resurgence, all in color. Accompanying the images are texts by by Artaud's longtime friend and editor Paule Th venin and the philosopher Jacques Derrida.

"We won't be describing any paintings," Derrida warns the reader. Derrida struggles with Artaud's peculiar language, punctuating his text with agitated footnotes and asides (asking at one point, "How will they translate this?"). Th venin offers a more straightforward biographical and historical account. (It was on the walls of her apartment that Derrida first saw Artaud's paintings and drawings.) These two texts were previously published by the MIT Press in The Secret Art of Antonin Artaud without the artwork that is their subject. This book brings together art and text for the first time in English.

商品描述(中文翻譯)

**安東寧·阿爾托(Antonin Artaud)晚期視覺作品的哲學與傳記敘述,全部以彩色呈現。**

安東寧·阿爾托(1896-1948)——舞台與電影演員、導演、作家及視覺藝術家——是一位充滿憤怒與天才的人。因拒絕放棄戲劇而被超現實主義運動驅逐,他創立了殘酷劇場(Theater of Cruelty),並撰寫了《戲劇及其雙重性》(The Theater and Its Double),這是二十世紀關於此主題的關鍵文本之一。阿爾托在生命的最後九年中住在精神病院,接受電擊治療。1946年被釋放後,他回到朋友的照顧下,開始再次作畫。本書展示了這一晚期復興的素描與肖像,全部以彩色呈現。這些圖像伴隨著阿爾托的長期朋友及編輯保爾·特維南(Paule Th venin)和哲學家雅克·德里達(Jacques Derrida)的文字。

德里達警告讀者:「我們不會描述任何畫作。」德里達在阿爾托獨特的語言中掙扎,並在他的文本中穿插激動的腳註和旁白(在某個時刻,他問道:「他們將如何翻譯這個?」)。特維南則提供了更直接的傳記與歷史敘述。(德里達第一次在她的公寓牆上看到了阿爾托的畫作和素描。)這兩篇文本之前由麻省理工學院出版社(MIT Press)在《安東寧·阿爾托的秘密藝術》(The Secret Art of Antonin Artaud)中出版,但當時並未包含其主題的藝術作品。本書首次將藝術與文本結合,並以英文呈現。