Basic Critical Theory for Photographers (Paperback)
暫譯: 攝影師的基本批判理論 (平裝本)
Ashley la Grange
- 出版商: Focal Press
- 出版日期: 2005-07-15
- 定價: $990
- 售價: 5.0 折 $495
- 語言: 英文
- 頁數: 256
- 裝訂: Paperback
- ISBN: 0240516524
- ISBN-13: 9780240516523
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相關分類:
設計攝影 Photograph
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商品描述
Description:
Basic Critical Theory for Photographers generates discussion, thought and practical assignments around key debates in photography. Ashley la Grange avoids the trap of an elitist and purely academic approach to critical theory, taking a dual theoretical and practical approach when considering the issues. Key critical theory texts (such as Sontag's 'On Photography' and Barthes' 'Camera Lucida') are clarified and shortened. La Grange avoids editorilising, letting the arguments develop as the writers had intended; it is the assignments which call into question each writer's approach and promote debate.
This is the ideal book if you want to understand key debates in photography and have a ready-made structure within which to discuss and explore these fascinating issues. It is accessible to students, from high school to university level, but will also be of interest to the general reader and to those photographers whose training and work is concerned with the practical aspects of photography.
Also includes invaluable glossary of terms and a substantial index that incorporates the classic texts, helping you to navigate your way through these un-indexed works. The book also contains useful information on photo-mechanical processes, explaining how a photograph can appear very differently, and as a result be interpreted in a range of ways, in a variety of books.
Table of Contents:
Introduction; Aims of book; Berger's 'Ways of Seeing' - consumerism, sexism and distortion of artistic worth by capitalism; Formalist/realist approach - Szarkowski and Shore; Sontag's 'On Photography'; Roland Barthes, “Camera Lucida”; Martha Rosler; Solomon-Godeau 'Inside/Out' (in conjunction with Sontag and Rosler this section illustrates how arguments develop); Clive Scott, photography and language; Grundberg's 'The Crisis of the real' - postmodernism; Raghubir Singh, “River of Colour”; “The Adventures of a Photographer”, a short story by Italio Calvino; Haitian poem by Felix Morisseau-Leroy; Poem by George Szirtes; Case studies - advertising and photojournalism (not major sections); Appendixes; Glossary; Index; Reading list; Theoretical and practical assignments at the end of each chapter.
商品描述(中文翻譯)
**描述:**
《攝影師的基本批判理論》圍繞攝影中的關鍵辯論產生討論、思考和實踐作業。Ashley la Grange 避免了精英主義和純粹學術的批判理論陷阱,採取理論與實踐相結合的雙重方法來考慮這些問題。關鍵的批判理論文本(如 Sontag 的《論攝影》和 Barthes 的《明室》)被澄清和簡化。La Grange 避免編輯化,讓論點按照作者的意圖發展;是作業質疑每位作者的觀點並促進辯論。
這本書是理解攝影中關鍵辯論的理想之選,並提供了一個現成的結構來討論和探索這些迷人的問題。它對於從高中到大學的學生都很容易接觸,但也會引起一般讀者和那些專注於攝影實務的攝影師的興趣。
此外,書中還包含了寶貴的術語表和一個包含經典文本的詳細索引,幫助您在這些未編索引的作品中導航。該書還包含有關照片機械過程的有用信息,解釋了照片如何以非常不同的方式出現,因此可以在各種書籍中以多種方式解釋。
**目錄:**
引言;本書的目標;Berger 的《觀看的方式》——消費主義、性別歧視和資本主義對藝術價值的扭曲;形式主義/現實主義方法——Szarkowski 和 Shore;Sontag 的《論攝影》;Roland Barthes,《明室》;Martha Rosler;Solomon-Godeau 的《內外》(與 Sontag 和 Rosler 一起,這一部分說明了論點如何發展);Clive Scott,攝影與語言;Grundberg 的《真實的危機》——後現代主義;Raghubir Singh,《色彩之河》;Italio Calvino 的短篇小說《攝影師的冒險》;Felix Morisseau-Leroy 的海地詩;George Szirtes 的詩;案例研究——廣告和新聞攝影(不是主要部分);附錄;術語表;索引;閱讀清單;每章末尾的理論和實踐作業。